In a nutshell, the octatonic scale is … stresses that give relief to more conventional materials. The two variants of the octatonic scale, the half-whole and whole-half, are similar to the 1+3/3+1 hexatonic scales in almost every way. Allan Holdsworth; The C Major Scale; The A Minor Pentatonic Scale; The CAGED System; Tunings. You've got an 11 note scale. Gary, Influences, 21 Intermediate Etudes for Guitar. This scale is sometimes used in … of mode 1. Example 2: Octatonic Mode 2 The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. There are two common versions of the scale, one that stacks the chords a whole step apart and one that stacks the chords a half step apart (probably the most common). We developed some tools while playing and composing that helped us in our work. It is almost the same scale as the bebop dominant with the exception of the lowered sixth scale degree. info). This related diminished seventh chord is known as a “leading-tone diminished seventh chord” since its function is to “lead” into or resolve to another harmony one half-step above as vii in major and #vii in minor (harmonic minor) resolve to tonic (i). As you can see, one approach is to layer bass lines, chords, ostinatos, stabs etc. Welcome to Musical Scales and Chords. Example 3: Chords on Steps 1, 3, 5 and 7 of Mode 1, Example 4: Chords on Steps 1, 3, 5 and 7 of Mode 2. The diminished tetrachord appears on steps 2, 4, 6 and 8 Octatonic (Diminished) The octatonic or diminished scale is an eight note scale in which the intervals alternate between whole and half steps. There are two common versions of the scale, one that stacks the chords a whole step apart and one that stacks the chords a half step apart (probably the most common). With the chords of the Scale Chords project, you can create nice chord progressions easily. on C, D♯, F♯ and A in the ‘Model A’ scale given above). • The octatonic scale is a symmetrical scale based on a repeated pattern of alternating half and whole steps, resulting in an eightfold division of the octave. Try using these new octatonic scales when improvising over their corresponding chord types. The Chromatic scale ( the twelve notes of an octave played one after another) contains three disjoint diminished seventh chords. The octatonic scale has long been a favorite of modern composers, because it not only has the tonal fluidity and symmetry of a hexatonic scales, but it also contains many of standard tonal structures such as triads and seventh chords. It can info). This scale is sometimes used in … In this free music theory lesson, Kari Juusela introduces the octatonic scale. Randy Smith's book contains a drop 2 bebop dominant scale which is harmonzied as C7-Bdim7-C7-Ddim7-C7 and then F#dim7-C7-Abdim7-C7. An E-E flat ostinato is embedded in the following accompaniment. Bartok's Mikrokosmo 101, Diminished Fifths, is based on The idea is to take each of the four remaining common chord types (Major6, Dominant7, minor7 and minor6) and build an octatonic scale with the above system. Cmi7 (flat 5, flat 9), both with an added 6th -- or an alternation between At FeelYourSound, we created a MIDI plug-in that does exactly that. how long octatonic passages can be used to sustain interest. This allows a woodwind phrase from the C octatonic scale to be played simultaneously with a brass phrase from the C# octatonic scale and a string phrase from the D octatonic scale. When studying diminished scales, one of the most interesting concepts that you can explore is the use of both Dim7 and dominant 7th arpeggios through this scale.. Because you can solo over Dim7 chords with the diminished scale, it is no surprise that you can use Dim7 arpeggios built from this scale. An octatonic scale is any eight-note musical scale. The Octatonic Scale The term octatonic can be broken down into oct and tonic. Pretty damn cool if you ask me. step. Example 1: Octatonic Mode 1 • Since there are only 7 discreet pitch designations in our scale system, the spelling of the octatonic scale must by necessity include the use of two pitch classes with identical The alpha-chord collection is, "a vertically organized statement of the octatonic scale as two diminished seventh chords," such as: C ♯ –E–G–B ♭ –C–E ♭ –F ♯ –A. Scale - Octatonic (H-W) 1,b2,b3,3,b5,5,6,b7 11-th pattern Root note - C Guitar Tuning: minor third, a tritone, a diminished triad or a diminished seventh So it contains the lowered 6th; and then the F#dim7 adds F# and Eb, AND puts the natural 6th back in to the scale; so instead of the C Bebop scale of C-D-E-F-G-A-Bb-B, or C-D-E-F-G-A (Ab) Bb B, you get C-D-Eb-E-F-F#-G-Ab-A-Bb-B. My second claim was that Stravinsky’s music is animated by a broad range of polyscalar superimpo-sitions involving more than just the octatonic and diatonic scales. His student, Igor Stravinsky used it extensively, especially in the Rite of Spring. Remember the minor6 chord is equivalent to the m7b5 or half-diminished seventh chord spelled from the sixth. To learn how to play these files on your machine, go to Midi Setup.) Adagio (2nd movement) from Beethoven's Piano Sonata Op.22, bars 31-33.mid 12 s; 735 bytes It has 2 modes. The diminished scale is an eight note scale (sometimes called the octatonic scale) that is built by stacking two diminished 7th chords (1-b3-b5-bb7 or 1-b3-b5-6) on top of each other. My ear wants to hear the major sixth as in the bebop dominant scale. Chords. The idea is to take each of the four remaining common chord types (Major6, Dominant7, minor7 and minor6) and build an octatonic scale with the above system. The chords could be a C7(flat 5, flat9, sharp 9) or a All this occurs over a B pedal in this example. Brief explanation of theory on diminished chords. As outlined on the main page there are interesting melodic and harmonic possibilities that arise. At first the tools were just a list of relationships that we used to help us find scales and chords. the two colors. Among the most famous of these is a scale in which the notes ascend in alternating intervals of a whole step and a half step, creating a symmetric scale. 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